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Six decades after civil rights, a new era of protest in Nashville

In many ways, the scene in Nashville today feels like a 1960s redux: A younger generation seeking racial equity is pushing for change and upsetting the status quo. At the same time, there are notable differences between the two movements, as well as the political and social context that surrounds them.

While ’60s civil rights activists followed a strict set of rules – dress well, don’t laugh, don’t strike back – a number of today’s activists are brash, using a megaphone in the legislative chamber. After being expelled from the state House of Representatives last week for leading a protest there, and then reinstated yesterday on a wave of public outrage, Rep. Justin Jones called for the Republican House speaker to resign.

Why We Wrote This

Protests in Nashville this week echo an earlier era of Black Americans speaking out. What began as a call for action on gun violence has broadened – and drawn national attention.

Compared to the ’60s sit-ins, the policy goals of the Nashville protests aren’t as clearly defined. They began two weeks ago, focused on gun control. Now they’re also about democracy, civil rights, and restoring “power to the people.” Whether the leaders of Tennessee’s new “Good Trouble” caucus can score larger wins remains to be seen.

“We’re here to disrupt in every single way,” says state Sen. Charlane Oliver. “We know what’s at stake here. We have been beating down the door from the outside for years.”

The march started in North Nashville, near the home of Z. Alexander Looby, a Black lawyer and city councilman whose house had been bombed the day before. It began as 1,500 protesters, walking silently. By the time it reached its destination – the city courthouse – there were an estimated 3,000.

April 19, 1960 was a turning point for Nashville’s sit-in movement. Since February, students had been trying to integrate the city’s lunch counters. The bundle of dynamite thrown at Mr. Looby’s home convinced the public that the resistance had become more extreme than the protesters. Meeting the marchers outside the courthouse, Nashville’s mayor relented.

Yesterday, more than six decades later, another crowd marched through Nashville. It started as a small protest on the plaza of city hall. By the time it reached the statehouse, it also had surged to a similar size. This time, the marchers were rowdier. They held protest signs. They chanted “no justice, no peace.”

Why We Wrote This

Protests in Nashville this week echo an earlier era of Black Americans speaking out. What began as a call for action on gun violence has broadened – and drawn national attention.

When they reached the statehouse steps, they too claimed a victory: Justin Jones, one of two state representatives who were expelled last Thursday after leading a disruptive protest in the House chambers, was reinstated to his old seat until a special election. The same is expected for Justin Pearson in Memphis tomorrow. 

In many ways, the scene in Nashville today feels like a return to the 1960s: A younger generation is agitating the state’s power structure and seeking what they see as justice.  At the same time, the movements differ in style and substance,  and social context.

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