It is in the practice of Christian community that, week after week and year after year, Christians are discipled in the recognition that they are not their own, and that all they have, they have first received. Their making, and their very capacity to make, is always a sheer gift. In the end, Redemer rightly reminds us that wherever the future finds them…Christians will continue to gather, baptize, commune—and remember.
As I write this, there is a watch on my wrist. It isn’t especially fancy—this isn’t a Rolex or Omega, but a stainless-steel Seiko. Its case and band no longer glint in the sunshine, but bear the dull matte burr of long wear. And over the years I’ve had to do various forms of upkeep, from adjusting the size of the band to replacing the crystal face to fixing the internal mechanism that makes it run.
This watch was my grandfather’s, and after he passed away in 2014, it descended to me. Since then, it’s been a fixture in my life: I wore it at my wedding, and, God willing, I’ll pass it on to my son someday. Whenever I wear it, I find myself grateful that my grandfather didn’t buy a cheap Timex or Casio. Instead, he invested in an item that would last—not something extravagant, or something indestructible, but something nevertheless worth preserving and handing on.
In short, I carry on my wrist an item of technology permeated by both memory and history—by my grandfather’s past, and by my own future. It has a particular “immanent” function, to be sure: on a traditional Aristotelian account of virtue ethics, a watch that tells time rightly is properly called a good watch, since it functions as a watch should1. My watch is a good watch, by this standard. And yet what matters to me isn’t just the watch’s function of telling time, but the deeper realities—the deeper loves—to which it points.
Something like this intuition first drove the Christian transposition of Aristotle into a Neoplatonic key2. For Christian thought, the life rightly lived involves both the exemplification of one’s essential virtues and final union with a transcendent Reality that overflows the finite. Beneath and beyond the apparent flux of history and becoming, eternity is ever-present—and all created beings stand within its horizon.
In Made Like the Maker, just as in his classic Centuries, Thomas Traherne once again proves that he is the great English poet of just such participation in the divine. Traherne’s sacramental universe is a world not merely shaped by a demiurge’s hand, but a cosmos positively overflowing with glory for those with eyes to see.3
Mere apprehension of that glory, though, is not the end of the story. Activity is key. As Colin Redemer ably shows in his compelling introduction to Traherne, the Christian has the right—and even duty—to act in freedom to perfect and improve this creation. Over against those who might suggest that Christian contemplation entails stasis or quiescence, Redemer stresses that “the work of man is not finished. The finishing touches of creation are still ours to freely fill.”4
It is in this spirit that Redemer confronts the question of technology and Christian ethics—of the ways in which human beings may rightly exercise their own “sub-creative” faculties. He begins by noting that technological progress as such lacks any orienting principle, beyond the brute fact of incremental improvement in performing some function or other: “Version 2.0 is better at satisfying the needs that version 1.0 was designed to satisfy.”5 That is a crabbed view of advancement indeed.
This myopic tendency is exacerbated by the fact that when modern people think about producing things—that is, creating technology—they tend to think in terms of techne, or “making” through skilled craftsmanship. But, Redemer points out, the notion of “making” is fuller-orbed than this.6 Where, after all, does technology come from in the first place?
The answer is that technology first emerges from ideas put into words. This making-with-words—poesis—is the necessary condition of any development at all. Some poetic vision or other (understood broadly) logically precedes crafting or manufacture: “Techne is a making without words, but the true technician must first know what he is making, and that requires learning the language of the thing made. This learning shows us that the techne is downstream from poiesis.”7
Of course, the poesis exercised by Christians is inherently derivative of the original Word with which God spoke creation into being. Failure to recognize this leads to idolatry, as the maker of the idol inevitably seeks to arrogate originating creative power to himself.8
With the relation of techne to poiesis clarified, how then should Christians think about technological advancements? As a governing principle—or perhaps framework—Redemer settles on a distinction, drawn from Oliver O’Donovan, between begetting and making.9 Begetting is the act of bringing into reality that which is like the progenitor in essence, and which is received as it is: a child who is begotten is human, like her parents, and is received by her parents just as she is. Making, conversely, involves the deliberative craftsmanship, by way of both techne and poesis, of that which is truly other than the maker.10
These two must not be conflated. “We are bits of creation, and so we are made,” Redemer urges. “Much as human pride rages against it, we are made by God. As we follow God we must beware not to attempt to make what ought naturally to be begotten. This truth grounds us in humility, in moderation.”11 An obvious case of confusion between begetting and making, one assumes, would be the use of CRISPR or similar tools to produce an infant “according to specifications.”12
But as far as “making” goes, Redemer contends, the field is largely open. In metaphysical terms, it is open because whatever human beings do as sub-creators cannot undercut the reality of God as source and end of all things. “Knowing creation is made, and that we are made as part of that creation, also gives us courage to act,” Redemer stresses. “We are not constrained by the fear that our making or begetting is going to fundamentally alter the nature of nature. The making that is ultimately God’s is a complete and whole thing inside of which our making takes place.”13 Hence, for Redemer, “[w]e need not fear the creation of our hands, be it an artificial ‘intelligence,’ a genetic modification technology, a neuralink, or a new form of as yet unrealized power generation.”14 In conclusion, Redemer urges Christians to anchor their own poesis within their theological inheritance, embracing “the word and the sacraments [as] the spiritual technology of Christian poetics.”15
This is a bold vision—neither reactionary nor uncritically accelerationist. It is optimistic. And it is a vision that rightly grasps the centrality of technology to the contemporary question of Christian being-in-the-world. Any theorizing about ideal Christian politics will never escape the armchair if it tacitly assumes away the Industrial Revolution, the internet, and the smartphone. Opposition to progress tout court is a fantasy.16