It’s not hard to figure out who the good guys and the bad guys are when watching a movie about the Nazis. But it’s a little harder to recognize evil when it’s closer to home, when it appears respectful and reasonable, urbane and sophisticated.
You’ve probably heard of Godwin’s Law—the idea that as an online discussion progresses, the probability of a comparison involving Nazis or Hitler increases. Godwin’s Law is meant to be humorous, but it says something serious about our society that one of the last remaining vestiges of moral coherence is that we all know Hitler was wrong.
Richard John Neuhaus once described the Holocaust as “our only culturally available icon of absolute evil.” We may not know what’s good anymore, but we know that is bad. This is why many rush to Hitler as a shortcut to or substitute for making a moral argument.
The often tenuous attempts to link certain attitudes and actions to Hitler—as if we can’t name something as bad unless it’s tied to our culture’s agreed standard of what constitutes evil on a massive scale—signal that many in our society are increasingly incapable of recognizing evil unless it shows up without ambiguity, perpetrated by people already in the category we’ve deemed “morally problematic.” Our moral imagination is impoverished. And this may be why we have a harder time recognizing evil deeds by people who don’t seem to be villains.
Heroes and Villains
I recently watched Netflix’s adaptation of All the Light We Cannot See, a book by Anthony Doerr I appreciated several years ago. It’s been too long since I read the book to remember how the German villains were portrayed in the original text, but the miniseries made them out to be sadistic animals, gleefully inflicting terror and trauma wherever possible. It’s as if the German commanders know they’re the bad guys. They seem to relish their role.
The truth is scarier. Yes, the historical record reveals the brutality of some of the worst officers in the German army (the entire enterprise was evil through and through), but most soldiers believed they were on the right side of history. They were the heroes, preserving their fatherland by eliminating the Jewish menace and paving the way for their superior race to install a new kingdom in Europe. Don’t forget: for the highly educated, culturally sophisticated, technologically advanced German society in the 1930s, Hitler was a hero.
The Germans saw themselves as the good guys. That’s why a clip from the British sketch comedy show That Mitchell and Webb Look went viral, where one Nazi looks to the others in a moment of self-assessment and says, “Are we the baddies?” It’s funny, but the point is serious.
Frighteningly Ordinary Face of Evil
Christopher Browning’s Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland is a deeply unsettling book about WWII. Browning reminds us of the sheer scale of the killing that took place in Eastern Europe, much of it outside the concentration camps and most of it done by ordinary people without much investment in the fight—simple men and women conscripted into Hitler’s killing machine. Browning claims the majority of individuals in this particular battalion weren’t zealous Nazis. They were ordinary, middle-aged, working-class men who nevertheless perpetrated heinous acts.
Browning’s book shows three distinct groups emerging within the battalion: a core of enthusiastic participants, a majority who executed their responsibilities reliably but lacked initiative, and a small minority who avoided involvement in the acts of violence but were engaged in other activities that did nothing to diminish the battalion’s overall efficiency in carrying out atrocities. Hardly anyone seriously resisted. Ordinary Men shows how easy it is for people to yield to the influences of those around them, leading to actions they’d never consider otherwise.